Camille Pissarro Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
Artist s Daughter English: "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn.
Date 1872
cyf Painting ID:: 74772
Camille Pissarro Artist s Daughter English: "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn.
Date 1872
cyf
Enfants attables dans le jardin a Eragny, Enfants attables dans le jardin a Eragny, oil on canvas painting by Camille Pissarro, 1892
cjr Painting ID:: 75784
Camille Pissarro Enfants attables dans le jardin a Eragny, Enfants attables dans le jardin a Eragny, oil on canvas painting by Camille Pissarro, 1892
cjr
Portrait of Felix Pissarro 1881(1881)
Oil on canvas
54 ?? 46 cm (21.3 ?? 18.1 in)
cjr Painting ID:: 76884
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;